In the current cinema landscape, that is all but smothered by predictable formulaic corporate storytelling, "Saltburn," the latest Amazon Prime masterpiece featuring Barry Keoghan, masterfully defies expectations. It delivers a thought-provoking narrative that carefully challenge preconceived notions of sexuality as well as long-held western media taboos.
As a viewer, I initially approached the film with skepticism, anticipating another film that was derailed by a forced liberal glorification of homosexuality, however I am happy to say I found myself pleasantly surprised by the lack of homoerotic scenes but much more so by its marketing, depth, unpredictability, and most importantly, it's brave challenge of outdated western media taboos regarding the male anatomy.
Plot Overview:
[Spoilers!] "Saltburn" takes the audience on a journey through the life of a seemingly smart but otherwise poor boy harboring some dubious ambitions. At first we might assume some serious homosexual leanings towards Edward Catton, a would-be English royal played by Jacob Elordi, but that would be one of many well-placed misdirection's. In reality Oliver Quick, played by Barry Keoghan, is planning a long well-planned campaign to infiltrate and eventually take control over one of England's most prized castles, Saltburn. And to be blunt who could blame him, doesn't everyone want a castle? Although Oliver's aspirations remain shrouded in mystery until later in the film, when his audacious plan to acquire an entire castle is revealed. The narrative unfolds with a deliberate pace, employing subtle foreshadowing to keep viewers guessing, successfully maintaining an air of suspense.
Subverting Expectations:
One of the film's most noteworthy achievements is its ability to subvert expectations. While the plot may lead audiences down certain paths, there is a consistent nuanced foreshadowing that keeps even the most astute cinephiles guessing, preventing viewers from accurately predicting the outcome. The storytelling finesse, combined with a carefully crafted script, ensures that the film remains engaging from start to finish.
Noteworthy Marketing:
I want to give honorable mention to the marketing of Saltburn. Despite going straight to Amazon Prime and essentially not needing traditional film marketing, they went above and beyond by creating a plethora of posters that all give you a different emotions, a different idea of what the films about (see below). While the trailer also embellishes the the major misdirection's of the plot I loved that I could go into this film expecting one thing and getting something totally different, and better than expected!
Tasteful Representation:
Perhaps the most intriguing aspect of "Saltburn" is its approach to representation, particularly regarding the male physique. I make no appologies for myself as a conservative film-maker, so I think my opinion in this matter should stand as a surprise that I believe Saltburn achieved something truly admirable here. In an industry that often sensationalizes explicit content, especially the objectification of the female form, western media has been consistently preventing the introduction of the penis and vagina on screen. This film stands in a league alone for its tasteful and perhaps historic reintroduction of the male anatomy into Western media. It's not sexual or perverse in this way, but simply, human. Rather than succumbing to an over-abundance of erotic scenes, the film skillfully navigates the portrayal of male nudity, challenging societal norms surrounding the depiction of male genitalia.
Breaking Taboos:
For decades, American society's puritanical roots have enforced strict guidelines on the portrayal of male and female genitalia in media. While the female body has gradually seen a shift in acceptability, especially the breasts and buttocks, the male body has remained largely a taboo. "Saltburn" boldly breaks this barrier, presenting a male nude victory run in the film's conclusion as a celebration of the human spirit. The scene didn't have me covering my eyes but truly laughing out loud for our protagonists triumph. The film's ending, featuring the protagonist in a nude victory run through the massive castle, is a powerful statement challenging societal norms. Far from being erotic or explicit, the scene serves as a symbol of triumph and liberation. The character's unashamed celebration of his accomplishments adds depth to the narrative, emphasizing the film's commitment to showcasing the human experience in all its forms.
Conclusion:
"Saltburn" emerges as a refreshing addition to the cinematic landscape, challenging stereotypes and delivering a narrative that captivates from beginning to end. Barry Keoghan's stellar performance, combined with the film's subtle foreshadowing and tasteful representation, makes it a must-watch. As the movie industry continues to evolve, "Saltburn" stands out as a testament to the power of storytelling and the importance of breaking societal taboos to create a more inclusive and nuanced cinematic experience.
One Word of Warning:
Despite my compliments of the films breaking of taboos, I feel a need as a Christian to mention that there is one scene, that I do not approve of. More from a story than moral standpoint, there is a necrophilic scene that serves almost no point and even flies in the face of the protagonists real motives and later, more truthful stated feelings. If you want to protect your virgin eyes from a pretty strange scene, you'll know the scene when Oliver is undressing on top of a grave. In my opinion, it lasts a minute longer, and goes a mile further than it needed to, unless its primary purpose is top blur the lines confuse us about whether the protagonist was telling the truth, or lying about his feelings for Jacob.